Article by MFF Host and Head Judge Paul d’Orleans, reposted from his website, The Vintagent
Cliff Vaughs at the Motorcycle Film Festival panel discussion, which I moderated – a film of his visit to NYC is being edited as we speak (photo courtesy the Motorcycle Film Festival).
Cliff Vaughs, best known for his creation of the ‘Easy Rider’ choppers, sailed away from this world quietly on July 2nd from his home in Templeton, CA. Had it not been for Jesse James’ ‘History of the Chopper’ TV series, Vaughs would have likely vanished from history, but the question ‘who built the most famous motorcycles in the world?’ needed an answer. That led Jesse to a sailboat in Panama, where he found Cliff, who’d left the USA in 1974. Why he lived alone on a sailboat in the Caribbean, instead of soaking up praise for his work on ‘Easy Rider’, and his filmmaking , photography, and civil rights work, is a long story. I told some of that story in my book ‘The Chopper; the Real Story’, but Cliff’s life was too big to fit into one chapter of a book, and he dismissed ‘Easy Rider’ as “Three weeks of my life”.
Cliff Vaughs on Malibu beach in 1973, on his white H-D Shovelhead chopper. (photo courtesy Eliot ‘Cameraman’ Gold)
Cliff Vaughs was born in Boston on April 16th, 1937, to a single mother, and showed great promise as a student. He graduated from Boston Latin School and Boston University, then earned his MA at the University of Mexico in Mexico City – driving from Boston in his Triumph TR2. Moving to LA in 1961, he encountered the budding chopper scene, and soon had a green Knucklehead ‘chopped Hog’, as he called it; that’s where he befriended motorcycle customizer Ben Hardy in Watts, who became his mentor. Cliff was recruited to the Student Nonviolent Coordinating Committee in 1963, and brought his chopper to Arkansas and Alabama, where he drag-raced white policemen, and visited sharecropper farms “looking like slavery had never ended.” He added, “I may have been naïve thinking I could be an example to the black folks who were living in the South, but that’s why I rode my chopper in Alabama. I was never sure if the white landowners would chase me off with a shotgun. But I wanted to be a visible example to them; a free black man on my motorcycle.”
Cliff’s chopper adventures in the SNCC was a story never told – he was too radical, too provocative, too free for the group. Casey Hayden (activist/politician Tom Hayden’s first wife) remembered Cliff as “a West Coast motorcyclist, a lot of leather and no shirts. Hip before anyone else was hip. A little scary, and reckless.” Cliff’s ex-wife Wendy Vance added “He was a true adventurer. … There was just some sort of fearlessness in all situations. It did not occur to him that he was a moving target on this motorcycle. At a march in Selma, the civil rights leader John Lewis refused to stand next to him. ‘You are crazy,’ Lewis said, ‘I will not march next to you.’ The fear was that, somehow, Cliff would make himself a target.”
A never-before published photo of Cliff on his white H-D Shovelhead chopper in 1973 (photo courtesy the Easyriders archive)
Cliff was indeed a target of many failed shootings, and his tales of riding his chopper in the South were incorporated into ‘Easy Rider’, after he returned to LA in 1965 to make films like ‘What Will the Harvest Be?’, which explored the nascent Black Power movement. Cliff was Associate Producer on ‘Easy Rider’, and oversaw the creation of the Captain America and Billy choppers, which became the most famous motorcycles in the world. He didn’t get the recognition he deserved for those bikes, partly because the whole crew was fired when Columbia Pictures took over production, and Cliff’s payout/signoff included a clause keeping him off the film’s credits. Publications like Ed Roth’s ‘Choppers Magazine’ explored Cliff’s role in ‘Easy Rider’ from 1968 onwards, but both Peter Fonda and Dennis Hopper at various times claimed credit for building those bikes, and Dan Haggerty took credit too. Hopper acknowledged in his last year the seminal role Cliff Vaughs played, as did Peter Fonda, in 2015. Cliff went on to produce ‘Not So Easy’, a motorcycle safety film, in 1974, but left the US to live on a sailboat in the Caribbean the next 40 years. He was brought back to the US in 2014, as appreciation spread for his contribution to motorcycle history, and he was celebrated at the Motorcycle Film Festival in Brooklyn last year; a documentary from his time in NYC is being edited as this moment. Godspeed, Cliff.
Cliff Vaughs with a re-creation of his ‘Captain America’ chopper in 2014
The Motorcycle Film Festival is built on one simple thing. The Motorcycle. It transports us from here to there. It gives us freedom. It pushes us to take chances, go farther, and test our limits. Motorcycles don’t define us, but they do become a part of us and it is this shared understanding of what they bring to our lives that brings the motorcycle community so close. For us, it’s this common bond and the relationship between Festival, Filmmakers and Audience that is the most rewarding. It’s a relationship that doesn’t end once the theatre lights go dim. It’s why we travel the world to bring the films to riders everywhere and remain in contact with all of the MFF Filmmakers. One of those filmmakers is Cam Elkins.
MFF: What new projects do you have in the works?
CE: Since I started Stories of Bike, the commercial work has really picked up. After I finished Discovery, I went on to shoot a couple of TVCs (one for a motorcycle insurance company, of course) and a stack of online content. I was also invited to help develop another Web series called The Leadership Show. I also went to the U.S. last year to shoot a new secret moto TV pilot, which I’m still editing. All of which has been keeping me pretty busy and away from doing more on Stories of Bike.
MFF: How has Stories of Bike progressed?
CE: When I first started Stories, I didn’t really have an idea of what it was going to be. All I knew was that I didn’t want to do stories about builders, but rather everyday riders. Yes, there are a couple of builder stories in there, but it’s about the reasons they ride and the particular aspect of their riding that makes their riding unique. Since then, I’ve wanted to refine this a little more and show more about who we are as people who also ride and how riding makes us see the world a little bit brighter than most.
I started shooting a little bit of Season 3 last year, but have only really been able to make some real progress in the last couple of months. So far I’ve shot 4 episodes and I’m about to head back to the U.S. in August to shoot 2 more. I’m hoping to round out Season 3 with 10-12 episodes along with a bunch of other experimental stuff, including a pay-per-view episode, new merch, and even a screening tour.
MFF: How many episodes are there now?
CE: I’ve made 18 episodes so far across 2 seasons, with a few trailers and bonus clips along the way.
MFF: Where can they be seen?
CE: They’re all up on my YouTube channel at www.youtube.com/storiesofbike or you can head to www.storiesofbike.com to watch the episodes and also get extra content like behind the scenes footage and more.
MFF: What have you discovered about yourself as a filmmaker and rider through making these films?
CE: Having only been regularly making videos for 4 years and doing it professionally for 2, you could say I started out late in the game. So, it would be safe to say that I’ve learned just about everything about being a filmmaker through the making of these Stories of Bike episodes. I started the series as a way for me to fast-track my filmmaking experience and build up the confidence to have my own style and make creative decisions without regret.
MFF: How did you find out about the MFF? What years and films have you been included?
CE: I can’t remember exactly how I found out about the MFF. I think I stumbled across it while searching for moto related film festivals that I could submit the series to. Either way, I’m glad I did. For two years running, I had 4 of my episodes selected to be shown in the 2014 and 2015 festivals.
MFF: Have you attended the Motorcycle Film Festival?
CE: I sure have! Through the amazing generosity of the moto community here in Sydney, I was given a surprise return ticket to NYC to attend the MFF in 2014. I had back surgery a few months before and missed out attending another festival where I picked up a couple of awards. Jodie, who is featured in Dream, didn’t want me missing out on another awesome event and rallied the community here to raise some money to send me over. I’ll never forget the day Jodie and a bunch of super cool mates sprung that on me at the Rising Sun Workshop. Actually attending the MFF was even better. I had the most amazing time.
MFF: Anything else you’d like to add?
CE:I just hope everyone can get along to the MFF. It’s a fantastic event with an amazing bunch of people.
MFF: Two episodes of Stories Of Bike ‘Discovery‘ and ‘Dream‘ which feature women riders, have been featured at the MFF and will travel with us to Petrolettes in Berlin, July 29-31. So we asked Cam what his experience has been filming with female riders as subjects?
CE: In my episodes, I’ve always wanted to treat women just like any other rider I feature. That might not sound like anything special, but it is because it’s still a bit of a rare thing. All of the women I’ve featured haven’t thought anything special of themselves and simply want to ride for the joy of it, but hope that more women join them in the future. I think perhaps the difference between the way that guys and girls ride is that guys can go riding for the sense of power on the bike and connection to the world around them, whereas women can do that too, but enjoy sharing that experience with others.
